If that worked then everything else was going to work.”
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After testing the movie several times, Moritz said the team “learned that the gold of this movie was the relationship between the guys.
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The main reason “22 Jump Street” works as well as it does is the infectious chemistry between Hill and Tatum. We felt strongly that we didn’t want to give away all the best jokes in the trailer,” said Moritz, who wanted audiences to experience one particular romantic subplot in theaters rather than commercials.Īlso read: ’22 Jump Street’ Review: Channing Tatum and Jonah Hill Star in a Funnier, Smarter, Sexier Sequel They were very involved last time too, but on this one, we had a lot of conversations about the marketing of the film. “I may take the lead on some stuff, but they’re producers with me. We pulled it back a little bit if we went too far,” explained Moritz, who spoke highly of his collaboration with Hill and Tatum. It was a fine line, and not everything we shot is in the movie. “We were a little worried about being too self-referential. The trick, of course, was striking the proper balance to achieve the desired tongue-in-cheek tone. We didn’t want to fall into the trapping of that.”
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People were left satisfied by the first film, but now let’s make it bigger? That’s where the meta-joke comes in - bigger and louder doesn’t always mean better. “A lot of times, people make sequels because the previous one did a lot of business, but that doesn’t mean that the audience loved the film. “22 Jump Street” is structured like a typical romantic comedy between Tatum and Hill’s beloved characters Jenko and Schmidt, with a college football star named Zook (Wyatt Russell) standing in as “the other woman.” The sequel sticks to the successful template laid out by the first film, though it also serves as one big meta commentary on the nature of “MORE” in sequels.Īlso read: ’22 Jump Street’ WrapOff Review: ‘There’s A Fairly Touching Homoerotic Undertone’ (Video) Until our first test screening, that was a huge concern for me.” There was a lot of cynicism and people were gunning for us, and making a sequel where expectations were really high, I did not want to stain the original. We made a movie that in all likelihood, should not have worked. “The biggest challenge was making a sequel that could live up to expectations set by the first film. Phil Lord and Chris Miller return to direct the meta-joke-filled sequel, which makes full producers out of stars Jonah Hill and Channing Tatum, who worked closely alongside full-time producer Neal Moritz of Original Film.Īlso read: Channing Tatum, Jonah Hill’s ’22 Jump Street’ Powers to Strong $5.5 Million at Thursday Night Box OfficeĪs one of the keepers of the enormously successful “Fast and Furious” franchise, Moritz is intimately familiar with the inherent challenges of making a big-screen follow-up. Not only does Sony boast the highest-grossing movie of the year so far in “The Amazing Spider-Man 2,” but come Monday morning, the studio will likely be popping champagne bottles when the box-office bell tolls for “22 Jump Street,” which earned an impressive $5.5 million on Thursday night and could gross more than $60 million this weekend. It came under fire last year from high-profile investor Daniel Loeb following a disappointing summer movie season, featuring costly flops such as “White House Down” and “After Earth.” Miller added: “One of my favorite ideas was the Men In Black, the Black Suits were like martial arts belts that you had to work your way up to black and were issued powdered blue Men In Black suits.At the halfway point of 2014, Sony Pictures appears to have reversed its fortunes. It was very funny, it was crazy trying to manage these two franchises and not drive them both into the ground seemed like a real challenge,” Lord said. Basically, the idea was Jonah and Channing, a thing happened while they were doing their medical school adventure that got them embroiled into the world of Men In Black and that got them teaming up to stop an alien takeover type of thing. There was, believe it or not, a Men In Black/Jump Street crossover script that was very funny and very crazy that we really adored. “It’s true that there have been a lot of these things developed.
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Confused. podcast (via The Playlist), the filmmaking duo revealed that the spinoff film – titled MIB 23 – came “very, very close” to happening and offered a few more details on the cancelled project. Now, during a recent appearance on the Happy. Following the release of 22 Jump Street, it was revealed that directors Phil Lord and Christopher Miller were planning a crossover film between the Jump Street and Men in Black series with The Muppets director James Bobin being one of the names to potentially helm the film.